portfólio
p3squisadora is an artist and researcher based in São Paulo, Brazil, whose work focuses on the intersections of art, gender, and technology. Currently an MA candidate in Aesthetics and Art History at the University of São Paulo (USP), she develops her practice through a critical and decolonial lens. Her production investigates algorithmic biases and digital colonialism, employing Glitch Art as a tactic of subversion. Through digital interventions such as databending, Isadora transforms technical failure into a political gesture to destabilize hegemonic visual narratives and expose oppressive stereotypes.
Artist Statement
My artistic practice emerges from the margins of São Paulo’s East Side to challenge the core of global technological structures. I investigate how the intersections of gender, race, and class are encoded and made invisible by the machines that shape our perception of reality. Currently, through a Master’s in Aesthetics and Art History at USP, I ground this work in a critical, feminist, and decolonial perspective, understanding the digital environment not as a neutral space, but as a contested territory marked by digital colonialism.
In the face of the oppressive precision of these systems, I adopt Glitch Art not merely as an aesthetic, but as a subversive tactic. I use interventions like databending to force the machine into collapse, converting technical failure into a deliberate political gesture. Error is the crack through which what the algorithm tries to domesticate escapes. By destabilizing hegemonic visual narratives, I expose the stereotypes that structure this data colonialism. My work is an invitation to resistance.
portfólio em portguês
